When a Novel Says We, Ask Who Is Allowed Inside the Group
A narrator who speaks as “we” can sound like a whole community. Yet the membership of that group may shift, and some characters may never be allowed to…
Reading routes, book guides, and questions for a more attentive conversation about fiction.
A narrator who speaks as “we” can sound like a whole community. Yet the membership of that group may shift, and some characters may never be allowed to…
A character says that somebody else heard something from a neighbour. By the time the report reaches you, several voices may stand between the event and the…
“She would have taken the train” describes a possible journey, not necessarily a journey made. Fiction can spend considerable time in alternatives, and a…
A sentence suddenly appears in italics. Before deciding that it must be a character’s thought, look for the pattern the book has already established. A…
Everyone in a fictional room laughs except one person. Before deciding that the scene is cheerful, ask whose laughter the narration allows you to understand.
“I thought you would—never mind.” An interrupted sentence leaves a reader with language that has begun to form but has not been completed. The missing words…
An afterword can give a novel useful company: context, a second reader’s interpretation, or an account of how an edition came together. It also arrives…
Two characters may make the same promise in very different circumstances: alone in a kitchen, then in front of a room of witnesses. The words match, but the…
A passage can introduce a person without giving a name, yet make their presence unmistakable through a habit, occupation or relationship. Reading that…